These letters are from my Mother’s brother Albert. He did not live long enough to become an uncle to any of his four nieces. It is these letters that I always knew of. These are the letters that I knew were stored and safeguarded, because one day someone would read them again and Albert would come back to life.
He died on 12 January 1944. He was 22 years old. My Mother was 13, an evacuee in Bournemouth. His brother, my Uncle Peter was 17 and at Cambridge University.
The three bundles of letters are from 1941, 1943 and 1944. Those loose are from 1942 – I believe – although many have incomplete dates and so could be from other years. I look at this pile of letters and wonder where do I begin.
I think on how their contents are all I shall ever experience of him. The Letters as a whole entity are all I shall ever know of my Mabey relatives passed away, yet Albert’s letters have a particular poignancy. His death was the tragedy of my Mother’s family. She rarely talked of him but the silences of grief were still palpable in my young childhood.
I have two letters left from 1939, which I will publish in the next two weeks. Then we move to 1941, when the world is at wholeheartedly at war and thus Albert’s voice will take centre stage, and I shall come to know my uncle.
There are no memories of my Grandmother; all my life an absence of recollection. In those two years before her death in 1965 I know she would have held me, countless times. I know she must have murmured over my tiny form, held my steady, infant gaze, kissed my forehead and felt my tiny fingers wrap round hers. And I imagine that she would bless me before handing me back to her daughter, and I would have made her glad, hopeful – in the miraculous way that babies do.
In the box there was this torn page, ripped from an album. No explanatory notes on the back. Why it was kept with the bundles of letters is unknowable. Nor do I know who took this photograph, with its careful label of ‘Mother’. It is not my own mother’s hand and Albert was killed two years previously. I have concluded that my grandfather titled his wife thus, for the family album. Here May Mabey stands, patient and steady in Spring sunshine. Is that cherry blossom in the back garden in Bitterne Park, Southampton? The war is over. The men have come home and her eldest son is not amongst them. All the letters that Albert would ever write are already in store.
Grandmother’s voice does not survive, for there is not a single letter from her hand. There is one birthday card, for Mum’s 21st, “from your loving Mother and Father”, that was written by my grandfather. When my mother moved to Sheffield in 1951, my father wrote, intermittently, for a period of three years. Mum faithfully kept her love letters but none from her parents. I don’t suggest this was a deliberate act; I know Mum was living in Sheerness during the flood of 1953 and her lodgings were ruined. So perhaps those letters were washed away, sluiced off by the cold North sea.
Mum said that I reminded her of her own mother. I remember she would say our eyes were alike, “the shape of them, and the colour”, a shadowed green of still water and dark woods. I understand now the importance of naming those similarities, the subtle edges of inheritance, for recognition somehow hints that not everything has passed. I carried the echo of May Mabey whenever I looked up slowly, distracted from my absorption in drawing or reading (my usual occupations as a child), and Mum would say “You look a bit like my Mum you know.” Her voice was casual, mild, careful not to betray the sorrow felt – of this I am certain – at her sudden, unexpected death. My younger sister was barely two months old. My mother was 34.